Taylor Swift's legal team has pushed back strongly in a Los Angeles federal court over a trademark dispute linked to her albumThe Life of a Showgirl, with her lawyer arguing that the plaintiff, Las Vegas performer Maren Wade, operates on a much smaller scale, performing in 'small intimate venues, such as a 55+ active community.'

The comments came during a hearing on Wednesday, where Wade is seeking to block merchandise sales tied to Swift's album while her wider lawsuit over alleged trademark infringement continues. Wade performs under the cabaret name 'Confessions of a Showgirl', a title she says has been in use since 2015 and is protected under her registered trademark.

Wade filed a legal complaint arguing that Swift's album title and associated branding have created confusion and threaten her own touring show.

Taylor Swift trademark case asks a legal question that courts in the US have increasingly been asked to confront: when does a creative work remain protected expression, and when does it become a commercial product subject to trademark restrictions.

Judge Serena R. Murillo opened the hearing by highlighting that question directly, suggesting her concern was whetherThe Life of a Showgirlshould be shielded as an expressive work under First Amendment protections. That distinction could determine whether Wade's request for an injunction has any legal basis.

Billboardreported that Swift's attorney, Douglas Baldridge, argued firmly that the album is exactly that type of protected artistic expression. He described it as a 'classic expressive work' and pointed to earlier court decisions involving music titles, including a recent ruling involving Lady Gaga, which supported the idea that artistic works cannot easily be restricted under trademark law.

Wade's legal team, however, argued that Swift's use of the phrase extends far beyond music.

They told the court that the album title is part of a branding campaign involving merchandise and promotion, which they say brings it into the territory of trademark enforcement rather than pure artistic expression.

Much of the argument also focused on the vast difference in scale between the two performers.

Swift's album debuted at No. 1 and has become a global commercial success, while Wade's performances are described in court filings as small-scale cabaret shows in Las Vegas.

Source: International Business Times UK